Saturday, December 8, 2012

The Forge-Why it is essential to training

I often refer to the dojo as a forge. Many of the students look at me with a question on their faces, usually along the lines of "What is a forge?" I forget that in this age of plastic and new age materials that the concept of forging and working with metal may be alien to some. Why is a dojo like a forge?
Well lets examine a forge.The actual word forge can be used as a verb or a noun. When used as a verb it means to make or shape an object (metal) by heating it in a fire or furnace and beating or hammering it. It is also used to mean to move ahead gradually or steadily. As a noun, it is the location where the shaping of an object takes place sometimes referred to as a smith or smithy. Both definitions are pertinent as we will see.When a piece of metal is chosen to create an object, for example a sword-the best possible raw materials are used. In the dojo you do not always have that option. One of the different aspects between the forge and the dojo is that the forge requires the best material to produce quality work. In the dojo it is usually the inverse. You enter a dojo full of doubt, insecurity, ego. Carrying baggage that can only hinder your training. How the dojo and the forge are similar is in what happens next.

Once the metal is selected it is placed in a furnace and heated to such a level that it becomes a liquid. Once this occurs the dross floats on the surface and is easily separated. What is dross? It is the unwanted aspects of the metal, the waste products. This occurs in the dojo as well. The rigour of training brings out the dross of our lives, the ego, the insecurities and doubt, the unchecked anger and the accumulated baggage we carry with us. We find that after training for some time we have to let go of the baggage, the dross must be discarded in order for us to continue, to thrive, to transform.

This is the action that is taken in a forge. Metal comes in one form and is transformed into another. It is still metal, but it is stronger and it is given a purpose. It is no longer simply metal. The base characteristics may remain the same, but its essence has been changed. This same action is taken in a dojo. Yes the dojo is a sacred space, it is a place to train, it is a place to confront yourself. It is also a place of transformation. You enter in one state and over time, usually a very long time you are transformed and discover a purpose. You are liquefied in the heat of  training (sometimes it feels quite literal) and the dross comes to the surface. Here a pivotal choice must be made. You can choose to keep the dross or acknowledge it and then discard it, no one in the dojo can make that choice for you. It is yours alone to make. It is singularly the greatest gift and the most daunting prospect, to be given this choice.

If you are in a training hall of this type you should encounter this state on a continual basis. You are not allowed the luxury of complacency. You cannot rest on your laurels. It is equal parts dread and excitement, you are awed by the students who train with you and strive to emulate your seniors. You can look back and be cognizant of your progress realizing that although you have come a long way, there is still a long way to go. The forge is merciless, the heat is never comfortable and more often than not unbearable. What happens over time is that you become used to it. You adapt.

There is hammering and beating in a forge. Metal is not an easy material to work with and must be coaxed into forms with heat and pressure. In the dojo there is hammering and beating as well (visit us for a kumite class and you will understand) in most cases its usually a hammering and beating of the ego that is ever ready to rear its head if you are not vigilant. Ego, like metal requires the not so gentle coaxing of  the heat and pressure of training.

If you find yourself in a dojo like this. Consider yourself fortunate and commit to your training wholeheartedly. If you have not found a dojo like this then you must take it upon yourself to bring the forge to your life. Be uncompromising and strive for the highest standard in your training and life. Your example will encourage others. Like moths to a flame they too will seek out the heat of the forge.

strong spirit-strong mind-strong body

Sensei Orlando

Monday, October 1, 2012

What is your On?

When I first started training many years ago I realized that I had to pay a monthly fee. I paid this fee for many years, thinking that in paying this fee I was paying for my instruction. I learned several years later that the fee I was paying covered some of the essential costs of the school, i.e. , electricity, heating, furniture, uniforms, rent and many of the other costs. The one thing that was not covered in my monthly dues was the cost of instruction. When I asked why(since I thought that was what the fee was primarily for) it was explained to me that there was no fee that could cover what was being imparted to me. I had just begun my training path and so I didn't entirely understand what was being shared with me.

 Now here I am, a little wiser and much older and I am beginning to see the wisdom of the words that were shared with me. What I didn't understand back then was that the instructors were fulfilling their "on". Their obligation or duty to pass on the knowledge that was given to them. No monthly fee could cover that because the knowledge, the patience, the nurturing, the inclusion into the structure of the school transcends any price.
When I recently spoke to several sensei I was asked what my On was. What was I willing to give my life to, my entire commitment to? Initially I thought the answer was easy- my family, my children. Then I realized that  was too narrow. It is understood that if we bring children into this world, it is our responsibility and duty to instruct, nurture and help them grow into capable responsible adults. My family could not be my answer.

After giving it more thought I realized that it had to be as it was with me. Those individuals that enter the school and become students and later instructors in their own right, all of those are part of my On. My question to you today is what is your On?
 For many of us, it is our parents who are now elderly and some may be infirm. For some it is giving of ourselves and our time to those less fortunate. Whatever it may be, I urge you to sit and discover what you can give back. Many of us feel that we are wherever we may be in life on our own merits or skill. I have discovered in my own experience that you can achieve very little of importance on your own. Every great endeavor and those not so great usually require cooperation and assistance of some sort. If you want to achieve great things you will need help, that is just the way it works.

Take some time to day and discover what your On is. Find out how you can give back, then take action.


strong spirit-strong mind-strong body
Sensei Orlando

Wednesday, August 15, 2012

What is a dojo?

The place where a martial art is formally taught is called a dojo ( dojang, wat, kwoon, heya, sasaran), the term dojo is translated from the Sanskrit bodhi-manda which is translated as "seat of wisdom". The  word dojo is itself a Japanese term that literally means " place of the way" or " place of enlightenment".

It differs from a gym in that it is a place for perfecting the spirit. This is not to say that the perfection of spirit cannot occur in a gym, but that is not the focus of gyms. You don't go to a dojo to get a good sweat on, or to see how many reps you can pump out today. That is not the purpose of the dojo. The dojo, as a sacred place is where you go to confront yourself. The emphasis is always on improving the essence of self and aspiring towards the perfection of character. The pledge that is made is towards the collective good for the group, the community and the world.

You may think that by the above definition that  a dojo is a room and you would be right and wrong. It is not just a room. It is not a particular style, or even centered around  a particular group of people. The dojo while it can exist as a fixed place in time is also highly subjective. For example we can say the dojo is going to the park or beach this weekend to train, which does not mean we are moving our building to these respective sites.
 So what does it mean?
If we take the above definition of a place to confront and improve yourself, then a dojo can be anywhere. It is an agreed upon place either by yourself or with a group consensus that serves the purpose for training, discipline, introspection, and the perfection of character. We bow in the dojo because we respect the location and what it provides us. It is a matter of respect. The same way we maintain and clean the dojo, not necessarily because the space is dirty, but because it is part of our training and it is manifestation of respect towards the space, ourselves and those who may train with us.

The next time  you enter your dojo take a moment to really appreciate the space you are in whether it be an actual building or in the park. Remember to show gratitude and respect.

strong spirit-strong mind-strong body
Sensei Orlando

Wednesday, August 1, 2012

Keeping your sword sharp

One of the things that samurai in the past focused on, among the many things they were responsible for, was to always have a sharp sword. They knew that in any encounter they had a one in three chance of victory, one in three of being maimed or seriously injured and one in three of death. With those odds they were very careful not to draw their swords frivolously.

 Even so because the stakes were so high they took great pains to keep their swords sharp.  Why would they do this if they rarely drew their weapons?  It was a matter of being mentally and physically ready. The act of sharpening the sword focused the will of the samurai. Then like now violence could visit at any time, and when it does you will not have time to practice the techniques that should be ingrained within your body. You will not have time to polish your defense or work on your fitness.

 Although the art of kendo and kenjutsu still exist today, many of us do not roam the streets with swords strapped to our sides. However for those of us that practice a martial art we do have a sword to keep sharp. It starts(and ends) with our basic techniques, which sadly suffer the most as one advances through the ranks.  It means that those that have a practice must make the time to delve deeper into what they have learned, make and effort to reverse engineer it(bunkai) and truly comprehend what the technique and applications are.

Too many times I have witnessed high ranking students do poorly with some techniques because they have focused on one aspect of their training, neglecting the other aspects. What occurs over time is the creation of a  myopic practitioner  that has dull techniques- a dull sword. We cannot allow ourselves to carry a dull sword, to have techniques or kata we are unsure of because we have not practiced them in a long time.

We must strive to always keep our swords sharp, because if we are ever called upon to use the knowledge we possess to defend ourselves or our loved ones we must possess a weapon with a keen edge sharp enough to make a decisive cut.

strong spirit-strong mind-strong body
Sensei Orlando

Tuesday, June 26, 2012

Hojo Undo

I punch and kick trees as part of  my practice.
Before you start thinking that I have acquired some strange animosity towards trees(I haven't) let me explain. This part of my practice was something I did before I knew it even had a name. Hojo undo is translated  as "supplementary exercises ", these are exercises that are used to condition the body and specific body parts in the training of martial arts. These are used to build functional symmetry in physical strength, stamina, coordination, stances, techniques and velocity. The tools themselves are made from stone, wood, steel, sand or any other material that can simulate these.

The origin of this training goes back to Okinawa which is the birthplace of Karate, and subsequently China which influenced the development of the martial arts in the Ryukyu Island nation. The most common of these tools is the makiwara which can be seen in most schools (although it is becoming harder to find in practice halls) and is used as a striking post. Contrary to the belief of many, it is not for the development of large knuckles, but rather to create powerful strikes. The  large knuckles are just a side effect and only mean that you have hit something often enough to create calluses.

Why subject myself to this kind of training? I recall a conversation with a sempai I once had. It was after a particularly brutal sparring session of which I was the recipient of most of the brutality. I asked him how he was so strong and more importantly ,why?  His answer made quite an impression (as did his fists and kicks). He told me that there were others who were more naturally talented, faster with better reflexes and techniques. He couldn't control that. The one thing he could control was his conditioning, he was going to make sure that he was never out conditioned. To this day I thank Sempai George, because of this short albeit very painful lesson  that he would repeatedly impart to me.

So in essence, Hojo undo is designed to strip away everything else until you reach your core. There are no excuses or reasons when you arrive there. It's just you and the tool (or tree). It shows your level of training or lack thereof and becomes a reliable mirror into where you are. The tools used are quite numerous although you would be hard-pressed to find many of them in most martial arts schools these days. If you are serious about your practice and wish to seek another level of training to further your conditioning you will gravitate to some form of them, like I did with the tree.

I seriously consider hojo undo one of the most important parts of training in any martial art. If you only become proficient at striking air, the day you make impact you will experience a rude awakening, and quite possibly broken bones. If you are serious about pursuing hojo undo in your training you should invest in:
The Art of Hojo Undo by Michael Clarke. It is the only book I have been able to find that not only discusses this supplementary training but also gives instructions on how to build the tools.

Dive deeper into your practice and try hojo undo, it brings you face to face with yourself. We may not want to face ourselves, but on this path we must.

strong spirit-strong mind-strong body
Sensei Orlando





Monday, April 16, 2012

Confronting the Wall

Let me begin with a short story.

Somewhere in the mountains there is a temple. One day a man journeyed countless miles to arrive at this temple. When he approached the temple he encountered a massive wall blocking the entrance. On on side of the wall were several small huts, where he was directed to stay. He was given tools and one instruction; to enter the temple he must tear down the wall. He also had the option of leaving at any time he chose if he found the task too difficult. Each day he would remove part of the wall only to find it restored the next morning.

 This continued for many days, then weeks,months and finally years. Still the man would not give up. Each day he arose and approached the wall. His body became stronger along with his will and strength of  spirit. Then one day as he made his way to his wall, instead of a wall stood the abbot of the temple before the open entrance.

The man approached the abbot, who had not spoken to him in all the time he had been there.
"What happened to the wall?" the man asked.
The abbot looked at  the man and looked around the entrance and said "What wall?"
 The man clearly surprised and a bit annoyed, responded in a very unzenlike manner.
 "The one I have been toiling at for years now!"
 "Oh that wall, well it seems that you have finally realized that you no longer need it, please come in." said the abbot as he smiled.

As the man entered  past the doors he encountered an immense courtyard. To one side lay a beautiful lake surrounded by trees. On the other side was a serene zen garden.
" You can stay here if you like." said the abbot "After all you have spent quite some time on that wall."
"No I want to enter the temple, its the reason I am here." said the man.
 Further in the distance along a winding path was the temple proper. The abbot walked along side the man as he made his way to the temple.

 As they were nearing the last bend of the path before approaching the temple, the abbot reached into his robes and produced some tools.
 "Here, you might need these, you left them at the entrance." he said as he handed the man the tools used for tearing down a wall and left him on the path.
 "Why would I need these? " the man thought as he walked the path and found himself before another wall...

It is inevitable that in the course of your practice you will confront the wall. Unlike the wall in the picture you will not be able to simply walk around it. How long the wall persists depends primarily on how long you need it to be in place. Many times we say would like to go deeper, train harder,or devote more time. We can choose to just embark on the path, taking the actions that lead to these goals with the understanding that along this path there will be obstacles some small, others large, and in some cases some that appear insurmountable-the wall.

 What you do when you face your wall determines if your progress or remain where you are. I say your wall because it is a wall of your own creation, just like the man in the story, we each create our walls and they become as solid as we make them.

Some of us are quite content to have a wall, it allows us a fallback position, of course I cant progress any further, cant you see this immense wall before me? It makes all our effort all the more admirable because we are striving against such a large obstacle. Some of us have walls of pride, some of ego, others still have built up walls of towering fear and self doubt. Some of us have walls that contain bricks of anger, and pent up frustration.

Whatever your wall consists of- until you dismantle it (face it), you will not be able to move past it. It took the man in the story years to get past his first wall, only to encounter another wall. It may seem disheartening to have to face wall after wall, until you realize that through this process you achieve growth, strength, compassion, fortitude, temperance,and gentleness.

There will always be walls to face, the question is how will you approach your wall each day? Will you use the tools given to you to dismantle it, or will you discard them and leave the wall intact, hiding in its shadow?



At first, form is needed;
Then doubt and inhibition must be dispelled.
Eventually, form is celebrated with joy:
And expression becomes formless.
-   Deng Ming-Dao


strong spirit-strong mind-strong body
Sensei Orlando

Monday, March 12, 2012

In Memory Of

Last weekend the karate community suffered a profound loss. Sensei Diogenes Perez passed away, leaving a void that will not be easily or readily filled. Every Monday I attended class, he would be there. At every seminar he was a fixture. A promotion would not take place where he was not present.

Normally this would not be out of the ordinary, as a Sensei it was expected he be there. The only difference was that Sensei Diogenes could not longer train as actively as he once did. He had suffered a stroke years earlier and his hearing had been affected as well, requiring the use of a hearing aid. Even with what may be perceived as limitations, he made it a point to be at the Sunnyside school as often as there was class. I have fond recollections of conversations with him about weapons kata. He would often speak of how training was many years ago, stories which always put my own training in perspective. He was soft spoken and reserved, but when he spoke he spoke with conviction.

When teaching kata, in which I had the privilege to participate and watch, he was exacting and precise. Any sign of infirmity would vanish when he held a bo or a tonfa in his hands. At the last promotion he attended (a seven and half hour ordeal) he was vigilant for the entire promotion. Around 7am ( the promotion started at 12 midnight) he asked the Sensei conducting the promotion, when the students would be jumping the bo.

His embodiment of the spirit of karate is what will be remembered the most. He was never too busy, he always had a word of encouragement. When he trained he was a formidable and fierce warrior. As an instructor his classes where difficult, but he always expected his students to progress and surpass previous levels of skill.

He will be missed for his presence and his kind words.
The spirit he embodied as a karateka will continue to live on in the lives of those who he touched while he was here with us.

Sensei Orlando
strong spirit-strong mind-strong body